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HOW TO PAINT YOUR OWN VERMEER:
Recapturing Materials and Methods of a Seventeenth-Century Master


by Jonathan Janson
2006

An in-depth look into the materials and methods of Johannes Vermeer and the studio practices of 17th-c. Dutch painters

In-Depth Vermeer Bilbliography

ABELS, Paul, "Church and Religion in the Times of Vermeer." in Dutch Society in the Age of Vermeer, Zwolle, 1996

ALPERS, S., The Art of Describing in the Seventeenth Century, London,1983

AINSWORTH, Maryn Wynn, Art and Autoradiography: Insights into the Genesis of the Paintings of Rembrandt, Van Dyck and Vermeer, New York, 1993

ARASSE, Daniel, Vermeer, Faith in Painting (Transl.by T. Grabar), Princeton, 1993

ARASSE, Daniel, "Vermeer's Private Allegories," in Vermeer Studies, ed. Ivan Gaskell and Michiel Jonker, National Gallery of Art Washington D.C., Yale University Press, New Haven, London 1998

BAILEY, Anthony, Vermeer: A View of Delft, New York, 2001

BAILEY, Martin, Vermeer (Colour Library), London, 1995

BERGER, Harry Jr., "Conspicuous Exclusion in Vermeer: An Essay in Renaissance Pastoral," in Yale French Studies 47, 1973, pp. 243-265

BERGER, Harry Jr., "Some Vanity of His Art: Conspicuous Exclusion and Pastoral in Vermeer." Salmagundi, 44-45, 1979, pp. 89-112
(the two essays above have been republished together in Second World and Green World: Studies in Renaissance Fiction-Making, ed. John P. Lynch, Berkeley: University of California Press, 1988, pp. 441-509)

BERKEL, Klaas van, "Johannes Vermeer and Antoni van Leeuwenhoek," in exhibition catalogue, Frankfurt, Johannes Vermeer; Der Geograph und Der Astronom nach 200 Jaren wieder vereint, pp. 23-30, Stadelsches Kunstinstitut, 1997

BERKEL, Klaas van, WADUM, Jørgen, ZANDVLIET, K., with contribution from EKKART, Rudi, The Scholarly World of Vermeer, Zwolle, 1996

BERKEL, Klaas van, "Vermeer and the Representation of Science," in The Scholarly World of Vermeer, Zwolle, 1996

BLANKERT, Albert, (with contributions by RUURS, Rob and VAN DE WATERING, Willem), Vermeer, Oxford, 1978

BLANKERT, Albert, and GRIJP, Louis, "An Adjustable Leg and a Book: Vermeer's 'Lacemaker' Compared to Others," in Shop Talk: Studies in Honour of Seymour Slive, 1995

BLANKERT, Albert, "Vermeer's Modern Themes and Their Tradition," in Johannes Vermeer edited by Arthur K. Wheelock Jr. (with contributions by Albert Blankert, Ben Broos, and Jørgen Wadum), 1995

BLANKERT, Albert, Selected Writings on Dutch Paintings: Rembrandt, Van Beke, Vermeer and Others, Zwolle, 2004

BLANKERT, Albert, "Johannes Vermeers 'Kupplerin' - neu betrachtet," in Johannes Vermeer: Bei Der Kupplerin, exh. cat. Staatliche Kunstssammlungen Dresden, Dresden, 2004

BIANCONI, Piero, The Complete Paintings of Vermeer, New York, 1967

BLUM, André, Vermeer et Thoré-Bürger, Genova, 1946

BLOCK,Vitali, Tutta la pittura de Vermeer di Delft, Milan, 1954

BODE, Wilhelm von, Jan Vermeer und Pieter de Hooch als Konkurrenten, Jahrbuch der Königlich Preussischen Kunstsammlungen 32 (1911): 1-2, repro.

BODE, Wilhelm von, Die Meister der holländischen und vlämischen Malerschulen, 2nd ed. Leipzig, 1919: 86-89, repro.

BOMFORD, David, "Perspective, Anamorphosis, and Illusion: Seventeenth-Century Dutch Peep Shows," in Vermeer Studies. Studies in the History of Art, edited by Ivan Gaskell and Michiel Jonker, National Gallery of Art Washington D.C., Yale University Press, New Haven, London 1998

BREDIUS, A., "Iets over Joftannes Vermeer," in Oud-Holland, 3, 1885, pp. 217

BREDIUS, A., "Nieuwe bijdragen over Johannes Vermeer," in Oud- Holland, 28, 191O, pp. 61

BREDIUS, A., "Italiaansche schilderijen in 1672 door Haagsche en Delftsche schilders beoordeeld," in Oud-Holland, 34, 1916, pp. 88

BREDIUS, A., "Schilderijen uit de nalatenschap van den Delltschen Vermeer," in Oud-Holland, 34, 1916, pp. 160 sgg.

BRYANT, Julius, Kenwood House: Catalogue of Paintings in the Iveagh Bequest, New Haven/London, 2003

BROOS, Ben, "Vermeer: Malice and Misconception," in Vermeer Studies. Studies in the History of Art, edited by Ivan Gaskell and Michiel Jonker, National Gallery of Art Washington D.C., Yale University Press, New Haven, London 1998, pp. 18- 31

BROOS, Ben, " 'Un celbre Peintre nommé Verme[e]r,' " in Johannes Vermeer edited by Arthur K. Wheelock Jr. (with contributions by Albert Blankert, Ben Broos, and Jørgen Wadum), 1995

BUIJSEN, Edwin, "Music and the Age of Vermeer." in Dutch Society in the Age of Vermeer, Zwolle, 1996

BÜRGER, Thore, Van der Meer van Delft, Paris, 1866

CHAPMAN, H-Perry, Michael COLE, and Mary PARDO. "The imagined studios of Rembrandt and Vermeer." Inventiones of the studio, Renaissance to Romanticism. Ed. Michael COLE. Chapel Hill, NC: [publisher], 2005. 108-146.

Van CLEEMPOEL, K., "Representations of astrolabes in western art", in K. Van Cleempoel (ed.), Astrolabes at Greenwich. A Catalogue of the Astrolabes in the National Maritime Museum, Greenwich, Oxford: Oxford University Press, 2005, pp. 99-111.

COSTARAS, Nichola, "A Study of the Materials and Techniques of Johannes Vermeer." in Vermeer Studies. Studies in the History of Art, edited by Ivan Gaskell and Michiel Jonker, National Gallery of Art Washington D.C., Yale University Press, New Haven, London 1998

DELSAUTE, Jean-Luc, "The Camera Obscura and Painting in the Sixteenth and Seventeenth Centuries," in Vermeer Studies. Studies in the History of Art, edited by Ivan Gaskell and Michiel Jonker, National Gallery of Art Washington D.C., Yale University Press, New Haven, London 1998

ELOVSSON, Per-Olov, "The Geographer's Heart: A Study of Vermeer's Scientists." Konsthistorisk Tidskrift 60, 1991

FINK, Daniel A.,"Vermeer's Use of the Camera Obscura: A Comparative Study." The Art Bulletin 53, 1971

FRANKFURT, Johannes Vermeer: Der Geograph und der Astronom nach 200 Jahren wieder verient, exh. cat. by Michael Mac-Gerard, with essays by Klass va Berkel, Jørgen Wadum,Peter Waldeis, and Arthur Wheelock Jr., Frankfurt am Main, Stadelsches Kunstisnstitut und Stadtische Galerie, Frankfurt, 1997

FRANITS, Wayne, Dutch Seventeenth-Century Genre Painting: Its Stylistic and Thematic Evolution, New Haven/London, 2004

edited by FRANITS, Wayne, The Cambridge Companion Guide to Vermeer, Cambridge, 2001

FRANITS, Wayne, "Johannes Vermeer: An Overview of His Life and Stylistic Evolution," in The Cambridge Companion Guide to Vermeer,, edited by Wayne Frantis, Cambridge, 2001

FRIMMEL, Theodor von, "A Woman Weighing Pearls by Vermeer of Delft." The Burlington Magazine 22 (October 1912): 48-49.

edited by GASKELL, Ivan and JONKER, Micheal, Vermeer Studies. Studies in the History of Art, National Gallery of Art Washington D.C., Yale University Press, New Haven, London 1998

GASKELL, Ivan, "Vermeer and the Limits of Interpretation," in Vermeer Studies. Studies in the History of Art, edited by Ivan Gaskell and Michiel Jonker, National Gallery of Art Washington D.C., Yale University Press, New Haven, London 1998

GASKELL, Ivan, Vermeer's Wager (Studies in Art History and Culture), London, 2000

GASKELL, Ivan, "Vermeer, Judgment and Truth." The Burlington Magazine 126 (September 1984): 557-561

van GELDER, J.G. van , "Jan Vermeer's Clio," Oud Holland 66 (1951), p. 44-45

van GELDER, J.G., "Diana door Vermeer en C. de Vos," in Oud Holland, 71, 1956, pp. 245

van GELDER, J.G. con commento di J. A. Emmens, De Schilderkunst van Jan Vermeer, Utrecht, 1958.

GERSON, H., Johannes Vermeer, in Encyclopedia of World Art, New York-Toronto-London, XIV, 1967, col. 739 sgg.

GIFFORD, E. Melanie, "Painting Light: Recent Observations on Vermeer's Technique," in Vermeer Studies. Studies in the History of Art, edited by Ivan Gaskell and Michiel Jonker, National Gallery of Art Washington D.C., Yale University Press, New Haven, London 1998

GODLEY, John, The Master Forger: The Story of Hans van Meegeren, New York, 1952

GOLDSCHEIDER, L., Jan Vermeer, London, 1958

GOODMAN, Elise, "The Landscape on the Wall in Vermeer," in The Cambridge Companion Guide to Vermeer, edited by Wayne Franits, Cambridge, 2001

GOWING, Lawrence, Vermeer, London, 1952 and 1970

GRIMME, Ernst Günther, Jan Vermeer van Delft, Cologne, 1974

GREUB, Thierry, J. Vermeer van Delft : junge Dame mit Perlenhalsband : ein Werk aus der Gemäldegalerie Staatliche Museen zu Berlin Preussischer Kulturbesitz, Berlin-Tiergarten, Kulturforum Matthäikirchplatz, Berlin, 2003

GROEN, Karin M., VAN DER WERF, Inez D., VAN DER BERG, Klaas Jan, BOON, Jaap J., "Scientific Examination of Vermeer's Girl with a Pearl Earring," in Vermeer Studies. Studies in the History of Art, edited by Ivan Gaskell and Michiel Jonker, National Gallery of Art Washington D.C., Yale University Press, New Haven, London 1998

de GROOT, Hofstede C., A Catalogue Raisoneé of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vols.10, 1907-1928; Vol.1, "Johannes Vermeer."

de GROOT, Hofsrtede, Cornelis, "A Newly Discovered Picture by Vermeer of Delft." The Burlington Magazine 18 (December 1910): pp. 133-134.

HAKS, Donald and SMAN, Marie Christine van der (eds.), Dutch Society in the Age of Vermeer, Zwolle, 1996

HAKS, Donald, in "The Household of Johannes Vermeer," in Dutch Society in the Age of Vermeer, Zwolle, 1996

HALE, P. L., Vermeer, London 1937

HARMON, Roger , "Musica laetitiae comes" and Vermeer's Music Lesson, Oud Holland 113 (1999), pp. 161-166

HAVARD, Henry, Van der Meer de Delft, Paris, 1888: 37, no. 30.

HEDQUIST, Valerie, "The Real Presence of Christ and the Pentinent Mary Magdalen in the "Allegory of Faith" by Johannes Vermeer." Art History 23, 2000

HEDQUIST, Valerie, "Religion in the Art and Life of Vermeer," in The Cambridge Companion Guide to Vermeer, edited by Wayne Frantis, Cambridge, 2001

HEDQUIST, Valerie, "The Real Presence of Christ and the Penitent Mary Magdalen in the Allegory of Faith by Johannes Vermeer," Art History, Volume 23, Number 3, September 2000 , pp. 333-364

HERTEL, Christiane, Vermeer: Reception and Interpretation, Cambridge / New York, 1996

HERTEL, Christiane, "Seven Vermeers: Collection, Reception, Response." in The Cambridge Companion Guide to Vermeer, W. Franits, ed. Cambridge and New York: Cambridge University Press, 2001

HEUER, Christopher, Perspective as process in Vermeer, 2000

HUBSCHMITT, William Evan, The art of painting : an iconographic examination of De Schilderconst by Johannis Vermeer of Delft, Dissertation State University of sNew York at Binghampton, 1986

HUERTA, Robert D., Giants of Delft : Johannes Vermeer and the natural philosophers : the parallel search for knowledge during the age of discovery, Lewisburg, 2003

HUERTA, Robert D., Vermeer And Plato: Painting The Ideal, Lewisburg, 2005

HYAAT, Mayor A., "The Photographic Eye." Bulletin of the Metropolitan Museum of Art, new series vol. 1, 1946

DE JONG, Eddy, "On Balance," in Vermeer Studies. Studies in the History of Art, edited by Ivan Gaskell and Michiel Jonker, National Gallery of Art Washington D.C., Yale University Press, New Haven, London 1998

JOWELL, Frances Suzman, "Vermeer and Thoré-Bürger: Recoveries of Reputation." in Vermeer Studies. Studies in the History of Art, edited by Ivan Gaskell and Michiel Jonker, National Gallery of Art Washington D.C., Yale University Press, New Haven, London 1998, pp.35-57

JOWELL, Frances Suzman, Thoré-Bürger and the art of the past, New York, 1977.

JOWELL, Frances Suzman, "Thoré-Bürger's art collection: 'a rather unusual gallery of bric-à-brac'", in Simiolus: Netherlands quarterly for the history of art, vol.30,2003 no. 1/2, pp.54-55

JOWELL, Frances Suzman, "Thoré-Bürger- A Critical Role in the Art Market," Burlington Magazine 138 (1996), pp. 155-116

JOWELL, Frances Suzman, "Thoré-Bürger and Vermeer: Critical and Commercial Fortunes," in Shop Talk: Studies in Horour of Seymour Slive (Cambridge, Mass., 1995), 125-126 n.11

KAHR, Madlyn Millner, "Vermeer's Girl Asleep, A Moral Emblem." Metropolitan Museum Journal, VI, 1972

KALDENBACH, Kees, 'Ein 3D-Flug über die 'Ansicht von Delft' ; Johannes Vermeers Meisterwerk aus 1660 als virtuelle Welt' (A 3D flight over 'View of Delft', text in German) Weltkunst, Munich, February 1999, vol.69, no. 2, p. 308-310

KALDENBACH, Kees, "Trekschuiten, haringbuizen en vrachtschepen op Vermeers Gezicht op Delft" in Tijdschrift voor Zeegeschiedenis, Vol. 19 nr. 1 (April) 2000. In 2001 a reprint has appeared in Historisch Jaarboek voor Delft, the year book of the Historische Vereniging Delfia Batavorum

KALDENBACH, Kees, 'Het Straatje van Johannes Vermeer: Nieuwe Langendijk 24-26? Een kunsthistorische visie op een archeologisch en bouwhistorisch onderzoek' in Bulletin KNOB (Koninklijk Nederlandse Oudheidkundige Bond), Vol. 99 nr. 5-6, november-december 2000 p. 239-249

KALDENBACH, Kees, "Die kleine Strasse von Johannes Vermeer: Nieuwe Langendijk Nr. 22-26? Ein kunstgeschichtlicher Blick auf eine archäologische und baugeschichtliche Untersuchung" in Die Denkmalpflege, I-2002

KALDENBACH, Kees, The Genesis of a Wall Chart on the Cultural Heritage of Seventeenth-Century Delft: Johannes Vermeer and the Delft School: a Chart of Homes of Delft Artists and Patrons in the Seventeenth Century. Visual Resources, Vol. XVIII, No. 3, September 2002
(research, map and text by KALDENBACH, Kees, Johannes Vermeer and the Delft school: a full colour chart showing the homes of circa 120 artists and circa 130 patrons who lived in seventeenth-century Delft, Amsterdam, 2001)

KERSTEN, M.C.C. & LOKIN, D. H. A.C., Delft Masters, Vermeer's Contemporaries. Illusionism through the Conquest of Light and Space, exh. cat., Stedelijk Museum het Princenhof, Delft; Zwolle, 1996.

KONINGSBERGER, Hans, The World of Vermeer 1632-1675, New York, 1967

KLOEK, Wouter, et al., Dutch art in the age of Rembrandt and Vermeer : masterworks of the Golden Age from the Rijksmuseum Amsterdam, Tokyo, 2000

KUHN, Hermann, "A Study of the Pigments and Grounds Used by Jans Vermeer." Reports and Studies in the History of Art, 1968

KEYSILITZ, Rudolf, Der 'Clavis interpretandi' in der hollandischen Malerei des 17, Jahrhunderts, Ph.D. diss., Munich,1956

LEVY-VAN HALM, Koos, "Where di Vermeer Buy His Paining Materials? Theory and Practice," in Vermeer Studies. Studies in the History of Art, edited by Ivan Gaskell and Michiel Jonker, National Gallery of Art Washington D.C., Yale University Press, New Haven, London 1998

LIEDTKE, Walter, Vermeer and the Delft School, New York, 2001

LIEDTKE, Walter, "Vermeer Teaching Himself." in The Cambridge Companion Guide to Vermeer, edited by Wayne Franits, Cambridge, 2001

LUCAS, Edward Verrall, Vermeer the Magical, London, 1929

MALRAUX, André, Vermeer de Delft, Paris, 1952

MAARSEVEEN, M. P. van, Vermeer and Delft: His Life and His Times, Stedelijk Museum het Prinshof, Amersfoort, 1996

MENZEL, Gerhard W., Vermeer, Leipzig, 1977

MIEDEMA, Hessel, "Jan Vermeer's Art of Painting," in Vermeer Studies. Studies in the History of Art, edited by Ivan Gaskell and Michiel Jonker, National Gallery of Art Washington D.C., Yale University Press, New Haven, London 1998

MILS, A. A., "Vermeer and the camera obscura: some practical considerations." Leonardo 31, 1998, pp.213-218

MIRIMONDE, Albert P. de., "Les Sujets musicaux chez Vermeer de Delft," Gazette des Beaux-Arts 57, January 1961

MONTIAS, John Michael, Vermeer and His Milieu: A Web of Social History, Princeton, 1989

MONTIAS, John Michael, "The Guild of St. Luke in Seventeenth Century Delft and the Economic Status of Artists and Artisans." Simiolus 9, 1977, pp.93-105

NASH, J M., Vermeer, London, 1991

NASH, J. M., "To Find the Mindes construction in the Face," in Vermeer Studies. Studies in the History of Art, edited by Ivan Gaskell and Michiel Jonker, National Gallery of Art Washington D.C., Yale University Press, New Haven, London 1998

NEIDHART, Uta and GIEBE, Marlies with essays by Albert Blankert, Chrisitne Klose, Johann Koller, Annalise Mayer-Meintsschel et. al., Johannes Vermeer 'Bei der Kupplerin,' exh. cat., Dresden, 2004

NETTA, Irene, "Jan Vermeer. Die Sphinx von Delft" Weltkunst, Jg., Heft 10, Ausgabe 15. Mai 1996, S. 1148-1150

NETTA, Irene, "The Phenomenon of Time in the Art of Vermeer." in Vermeer Studies. Studies in the History of Art, edited by Ivan Gaskell und Michiel Jonker, National Gallery of Art Washington D.C., Yale University Press, New Haven, London 1998, S. 257-263.

NETTA, Irene, Vermeer's World: An Artist and His Town (Pegasus Library), Prestel USA, 2001

NETTA, Irene, Zeit als gestalterisches Element bei Jan Vermeer van Delft und Bill Viola, in: Geschichten des Augenblicks. Projektionen (Film, Dia, Video) zum Thema Erzählung und Langsamkeit / Moments in Time. On Narration and Slowness, Ausst.Kat. Städtische Galerie im Lenbachhaus, München 1999, S. 143 - 155.(german/english)

NEURDENBURG, E., "Nog enige opmerkingenover Johannes Vermeer van Delft," in Oud Holland, 66, 1951, pp. 33-34

NEVITT JR., H. Rodney, "Vermeer and the Question of Love," in The Cambridge Companion Guide to Vermeer, edited by Wayne Franits, Cambridge, 2001

NICHOLSON, Benedict, Vermeer, Lady at the Virginals, London, 1946

van PEER, A.J.I.M., "Was Jan Vermeer von Delft Katholiek?" in Kath. Cu. Tijdschrift, 2, I, pp. 468-4 70

van PEER, A.J.I.M., "Drie collecties schilderijen van Jan Vermeer" in Oud-Holland, 72, 1957, pp. 92

van PEER, A.J.I.M., "Rondom Jan Vermeer van Delft," in Oud-Holland 74, 1959, pp. 240

van PEER, A.J.I.M., "Jan Vermeer van Delft: drie archiefvondsten," in Oud-Holland 83, 1968, pp. 220

PEETERS, Harry, "Vermeer and his Work. A View," in Dutch Society in the Age of Vermeer, Zwolle, 1996

PLIETZSCH, E., Vermeer van Delft, Leipzig, 1911

ROBINSON, James, "Vermeer," Classical Realism Journal III/2, 1997: 4-21, repro. 15.

RUINA, Epco & VAN DE PLOEG, Peter, Vermeer in the Mauritshuis, Zwolle, 2006

RUGLER, Axel, Vermeer and Painting in Delft, London, 2001

SALOMON, Nanette, "Vermeer and the Balance of Destiny." in Essays in Northern European Art Presented to Egbert Haverkamp Begemann on His Sixtieth Birthday. Anne-Marie Logan, ed. Doornspijk, 1983

SALOMON, Nanette, "From Sexuality to Civility: Vermeer's Women," in Vermeer Studies. Studies in the History of Art, edited by Ivan Gaskell and Michiel Jonker, National Gallery of Art Washington D.C., Yale University Press, New Haven, London 1998

SCHNEIDER, Norbert, Jan Vermeer 1632.1675: Veiled Emotions, Cologne, 1994

SCHWARTZ, Heinrich, "Vermeer and the Camera Obscura," Pantheon, XXIV, 1966

SEYMOUR, C., Jr., "Dark Chamber and Light-Filled Room: Vermeer and the Camera Obscura," Art Bulletin 46, 1964, pp.323-331

SLAKTES, Leonard J., Vermeer and His Contemporaries, New York, 1981

SLATKES, Leonard J., "Utrecht and Delft: Vermeer and Caravaggism," in Vermeer Studies. Studies in the History of Art, edited by Ivan Gaskell and Michiel Jonker, National Gallery of Art Washington D.C., Yale University Press, New Haven, London 1998

SLATKE, van Scendel, "The Love Letter Restored." Bulletin van het Rijksmuseum 20, 1993

SLUIJTER, Eric Jan, "Vermeer Fame, and Female Beauty: The Art of Painting," in Vermeer Studies. Studies in the History of Art, edited by Ivan Gaskell und Michiel Jonker, National Gallery of Art Washington D.C., Yale University Press, New Haven, London 1998

SNOW, Edward A., A Study of Vermeer, 2nd. rev. ed.Berkley / London, 1979

SONNENBURG, Hubert von, "Technical Comments." Bulletin of the Metropolitan Museum of Art 31, Summer 1973: unpaginated

STEADMAN, Phillip, Vermeer's Camera: Uncovering the Truth Behind the Masterpieces, 2001

STONE, Harriet, "Bearing Witness to the Light: Descartes and Vermeer," in Intersections, Actes du 35th annuel de la North American Society for Seventeenth-Century French Literature, edited by Faith E. Beasley and Kathleen Wine, Dartmouth College, May 8-10, 2003

STONE, Harriet, Tables of Knowledge, Descartes in Vermeer’s Studio, Oxford Universtiy Press, 2006

SUTTON, Peter, with contributions by Lisa Vergara and Ann Jensen Adams, Love Letters: Dutch Genre Paintings in the Age of Vermeer, London, 2004

SWILLENS, Pieter T.A., Johannes Vermeer Painter of Delft: 1632-1675, Utrehet / Brussels, 1955

VAN THIEL, Pieter J. J., "The Damaging and Restoration of Vermeer's 'Love Letter'", Bulletin van het Rijksmuseum 20, 1972

THEINEN, Frithjof van, Jan Vermeer of Delft, New York, 1949

THORSTEN SMIDT, Bearb., Johannes Vermeer : der Geograph : die Wissenschaft der Malerei, Kassel, 2003

THORE, Theophile J. (William Bürger), "Van der Meer de Delft." Gazette des Beaux-Arts 21 (October-December 1866): 297-330, 458-470, 542-575, no. 26/27.

TOLNAY, Charles de, "L'Atelier de Vermeer." Gazzette des Beaux-Arts 41, 1953

TRAUTSCHOLDT, E., "Johannes Vermeer," in Thieme-Becker, XXXIV, 1940, pp. 265

WADUM, Jørgen, Vermeer Illuminated. Conservation, Restoration and Research. With contributions by L. Struik van der Loeff and R. Hoppenbrouwers (1994) The Hague.

WADUM, Jørgen, Johannes Vermeer (1632-1675) and His Use of Perspective, in Preprints Historical Painting Techniques, Materials, and Studio Practice. University of Leiden, 26-29 June (1995) 148-154. Malibu.

WADUM, Jørgen & N. Costaras, "Johannes Vermeer’s ‘Girl with a Pearl Earring’ De- & Re-Restored, in Restauration, Dé-Restauration, Re-Restauration..." ARAAFU (1995) 163-172. Paris.

WADUM, Jørgen, "Vermeer in Perspective." in exh.cat. Johannes Vermeer, National Gallery of Art, Washington, D.C., Royal Cabinet of Pictures Mauritshuis, The Hague (1995-1996) 67-79.

WADUM, Jørgen, "Les audaces techniques de Vermeer." in Dossiers de l´Art 27, Paris, 30-39.

WADUM, Jørgen, "Des perspectives curieuses et extraordinaires." in Dossiers de l´Art 27,Paris, 42-49.

WADUM, Jørgen, "Vermeer and the Spatial Illusion." in The World of Learning in the time of Vermeer (exhibition cat.), Museum Meermanno-Westreenianum (Museum of the Book), The Hague, 31-49.

WADUM, Jørgen, "Gemälde mögen einige hundert Jahre bestehen, was genügt..." Zwei Gemälde von Johannes Vermeer restauriert, in Restauro 3 (1996). München, 172-177.

WADUM, Jørgen, Vermeers zielgerichtete Beobachtungen, in cat. Johannes Vermeer. Der Geograph und der Astronom nach 200 Jahren wieder vereint. Städelsches Kunstinstitut und Städtische Galerie, Franckfurt am Main 15.05.-13.07. (1997) 31-38.

WADUM, Jørgen, "Contours of Vermeer." in Vermeer Studies. Studies in the History of Art, 55. Center for Advanced Study in the Visual Arts, Symposium Papers XXXIII, eds. I. Gaskel and M. Jonker. Washington/New Haven (1998) 201-223.

WADUM, Jørgen, review of Vermeer’s Camera: Uncovering the Truth Behind the Masterpieces, by Philip Steadman. 202 pp. incl. 10 col. pls. + 72 b. & w. figs. (Oxford University Press, Oxford, 2001). ISBN 0-19-215967-4, in ArtMatters - Netherlands Technical Studies in Art (1) 2002

See also:

Carol Pottasch, Ruth Hoppe and Elmer Kolfin, "Diana, Vermeer and technical ambiguity. The metamorphosis of an early painting by Vermeer." in ArtMatters - Netherlands Technical Studies in Art (1), 2002.

WADUM, Jørgen, Vermeer's Use of Perspective, in Historic Painting Techniques, Materials, and Studio Practice, Reprints of a Symposium Held at the University of Leiden, The Netherlands, 26-29 June 1995, Santa Monica, 1995

WALSH, I. Jr., "Vermeer," in The Metropolitan Museum of Art Bulletin, 31, n. 4, summer 1973, pp. Il

WALICKI, Michal, Jan Vermeer van Delft, Dresden, 1970

WEBER, Gregor J.M., "Ein neu entdecktes Bild im Bild von Johannes Vermeer." Weltkunst 70,2 (February 2000), p. 225-228

WEBER, Gregor J.M., "Johannes Vermeer, Pieter Janz, van Aesch und das Problem der Abbildungstreue." Oud Holland 108, 1994

WEBER, Gregor J.M., "Antoine Dezallier d'Argenville unf funf Kustler namens Jan van der Meer." Oud Holland 107, 1993

WEBER, Gregor, "Vermeer's Use of the Picture-within-a-Picture: A New Approach," in Vermeer Studies. Studies in the History of Art, edited by Ivan Gaskell and Michiel Jonker, National Gallery of Art Washington D.C., Yale University Press, New Haven, London 1998

WELU, James A., "Vermeer: His Cartographic Sources." Art Bulletin 57, 1975, pp. 529-547

WELU, James A., "Vermeer's Astronomer: Observations on an Open Book." Art Bulletin 57, 1975

WELU, James A., Jan Vermeer, New York, 1981

WELU, James A., Vermeer and Cartography, Ph.d. diss, Boston University, 1977

WELU, James A., "The Map in Vermeer's 'The Art of Painting.' " Imago Mundi 30, 2nd series, 1978

WESTERMANN, Mariët, "Vermeer and the Interior Imagination." in Vermeer and the Dutch Interior, edited by Alejandro Vergara, Madrid, 2003

WESTERMANN, Mariët, Vermeer's Pictorial Intelligence, Amsterdam, 2003

WESTERMANN, Mariët, A Worldly Art. The Dutch Republic 1585-1718, New York, 1996

WESTERMANN, Mariët, Art and Home. Dutch Interiors in the Age of Rembrandt, exh.cat., Denver, Denver Art Museum, and Newark (New Jersey) The Newark Art Museum, 2001-2002.

WESTERMANN, Mariët, "'Costly and Curious, Full of pleasure and home contentment', Making Home in the Dutch Republic." in Art and Home. Dutch Interiors in the Age of Rembrandt, 2001-2002, pp. 15-81.

WHEELOCK, Arthur K. Jr., Jan Vermeer, 1981

WHEELOCK, Arthur K. Jr., Vermeer; The Complete Works, New York,1997

WHEELOCK, Arthur K. Jr., Vermeer and the Art of Painting, New Haven and London, 1995

WHEELOCK, Arthur K. Jr., Johannes Vermeer, (with contributions by BLANKERT, Albert, BROOS, Ben, and WADUM, Jorgen), New Haven and London, 1995

WHEELOCK, Arthur K. Jr. and KALDENBACH, C. J., "Vermeer's 'View of Delft' and His Vision of Reality." Artbus et Historiae 3 no. 6, 1982

WHEELOCK, Arthur K. Jr., "Pentimenti in Vermeer's Paintings; Changes in Style and Meaning." Holländische Genremalerei im 17. Jahrhundert, Symposium Berlin, Jahrbunch preussischer Kulturbesitz Sonderband 4 (1985), pp.385-412

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list of painting in this site

BOL, Ferdinand, Portrait of Roelof Meunenaer, 1650, The Rijksmuseum , Amsterdam
BOL, Ferdinand , Portrait of Maria Rey, wife of Roelof Meunenaer, 1650, The Rijksmuseum, Amsterdam
BOR, Paulus , A Woman as Magdalen, late 1630's, oil on panel, Liverpool, The Walker Art Gallery
CAMPIN, Robert , The Master of Flémall, Portrait of a Woman, c. 1430, wood, 41 x 28 cm, National Gallery, London
CHRISTUS, Petrus , Portrait of a Young Girl, after 1460, wood, 29 x 22,5 cm, Staatliche Museen, Berlin
EYCK, Jan van, Man in a Turban, 1433, oil on wood, 25,5 x 19 cm, National Gallery, London
van HEEMSKERK, Maerten , Portrait of Anna Codde, 1520, oil on canvas, Rijksmuseum, Amsterdam
DA VINCI, Leonardo, Mona Lisa, (La Gioconda,) c. 1503-1505, oil on panel, 77 x 53 cm, Musée du Louvre, Paris
DA VINCI, Leonardo, The Adoration of the Magi, 1481-1482, yellow ochre and brown ink on panel, 246 x 243 cm, Galleria degli Uffizi, Florence
DA VINCI, Leonardo, Portrait of Isabelle d'Este, 1499, black and red chalk with pastel highlights, 63 x 46 cm, Musée du Louvre, Paris
van MIERIS, Frans , Portrait of the Artist's Wife (?), oil on panel, 11 x 9 cm., The National Gallery, London
van MIERIS, Frans, Pictura (An Allegory of Painting), 1661, oil on copper, Private collection
REMBRANDT van Rijn, The Concord of the State, c. 1640, panel, 74.6 x 101 cm., Museum Boijmans Vann Beunigen, Rotterdam, Netherlands
engraving after RENI, Guido , Portrait of Beatrice Cenci
van SCORE, Jan L, Agata van Schoonhoven, Galleria Doria-Pamphili, Rome
SWEERTS, Michael , Portrait of a Boy, c. 1659, oil on canvas, Wadsworth Atheneum, Hartford
de la TOUR, Georges, Fortune Teller, 1632-35, oil on canvas, 102 x 123,5 cm, Metropolitan Museum of Art, New York
de la TOUR, Georges, The Dice Player, oil on canvas, 92.5 x 130.5 cm., Middlesborough, the Teeide Museums
van de VELDE, Wilem , Ship at Storm, oil on canvas, 30 1/4 x 25 in. (77 x 63.5 cm), c. 1670, The Rijksmuseum
attributed to Interior of the Oude Kerk, Delft, c. 1660-1665, graphite, pen and brown ink, 7 1/4 x 11 1/4 in. (18.4 x 28.5 cm.), Eric Noah, New York
van VLIET, Henrick Cornelisz ,Young Archer, c. 1640, oil on wood,, 25 1/4 x 22 1/2 in. (65 x 57 cm.) Private Collection, New York
van de VELDE, Wilem, The Canon Shot, c. 1670, oil on canvas, 30 3/4 x 26 3/8 in. (78.5 x 67 cm.) , The Rijksmuseum
van der WEYDEN, Rogier, Lady Wearing a Gauze Headdress, c. 1445, oil on oak panel, 47 x 32 cm, Staatliche Museen, Berlin
van WIJNGAARDEN,Theodorus, The Lacemaker, c. 1926, oil on canvas, 44.5 x 40 cm. Washington D.C., The National Gallery
van WIJNGAARDEN, Theodorus, The Smiling Girl, c. 1925, oil on canvas, 41 x 31.8 cm., Washington D.C., The National Gallery